"Subway shoulders", as Tía Tefi calls them, are those little boddy jiggles we do on the public transport when a song is so good that we're willing to risk possible major embarrassment. Since most of us are staying home, I thought I'd give you some Quarantine Tunes that are so good, you'll be willing to risk your loved ones (or the ghosts living in your empty home) walking in on you dancing in the kitchen.
F I N E L I N E
Look, not writing about Harry's new album is proving to be a very difficult task for me. Plus, I don't have anymore music analysis classes to use as a stan vent so here I am. Irregardless of my undying love of this Aquarius man (shocker), this album is so good. This time around, Harry is leaning in to his 70's, Fleetwood Mac side even more than he did for his debut record and I am here for it. It's drugs, it's heartbreak, it's an evolved Aquarian. Young, old, human, gremlin, you'll enjoy 'Adore You'. There's no doubt about it.
D I R T Y C O M P U T E R
Dirty Computer makes you feel like the last song your inclusive girlfriends all out dance to before drifting in the wind on the car ride back home. You know that last song when you're all sweaty, arms over each other, huge grins because it's the perfect song that all of you know all the lyrics to? Every song on this album is that song. This is as close as we're going to get to tasting that good pre-quarantine life. I watched Janelle live in the Netherlands a while back and I have to say it was one of the most moving shows I had ever seen, and her energy translates through her audio too. Highly recommend.
F U T U R E N O S T A L G I A
Well, I wasn't going to not write about this one. Future Nostalgia is pure Postmodern deliciousness. Dua Lipa has never recorded a bad song, and now she's back with new stage presence, choreography, and hair envy. She transports every listener to the feminist Tron-themed car chase in 3035 and I honestly can't complain. I think Dua is bringing Lady Gaga, Katy Perry in 2010s level of flavour and I'm going to be baffled if people don't take advantage of the bread the music industry is FINALLY feeding us.
M E A N G I R L S
They call those girls the Plastics, they're shiny fake and hard....and they must be tired from carrying the whole show on their backs. No hate to Cady, Janis, or even Damien, this is just my songwriting and composing preferences. Every single Plastics song is to die for. My favourite Regina is a loving pair between Taylor Louderman and Renee Rapp, but there's something particularly devious about Taylor's more high-pitched, borderline Disney Princess voice she puts on to amp up the Femme Fatale schpeal. Also, that "Regina, Regina, Regina" ensemble scream in Revenge Party is my absolute favourite thing right now. Would it be a dream come true to be able to angry-sweet belt while a bunch of dudes carry me across the stage so that I won't have to walk in my heels? Definitely.
C A L M
We are being fed. FED. Luke's little "I don't think I like me anymore, would someone tell me who I was before" part in Thin White Lies? Oh my goooood. Get out of here. I wish the whole song was just that part. A whole track led by Calum's vocals? Leave. Leave now. I've been following 5SOS's music since I had to hunt for livestream screen recordings of them playing an acoustic version of Voodoo Doll and I have to say this is the best album they've released, solely based on their growing willingness to step out of their own idea of them. Does that make sense? (Tell me in the comments below!) There's something gritty and unnerving about CALM and I am pleasantly surprised by it. I hope to see more of it in the future. But for now, listen to Red Desert.
Hip-Hop was born in the Bronx, out of the art of scratching, mixing and sampling (Swanson). Princess Nokia, a Bronx local, was born out of the very culture that laid foundation for the genre. A Native-American Afrolatina, she represents and explores her identity in her song Brujas. Openly queer and a firm supporter of intersectional feminism, Princess Nokia has been vocal with her stance on numerous sociopolitical issues, especially on social media. Princess Nokia represents the new generation of American artists who come from viral fame on platforms, such as SoundCloud, and use their resulting platforms to discuss current issues. With her identity that literally embodies the American idea of the ‘melting pot’, Nokia’s music is influenced by numerous communities that amount to the American culture. Nokia is currently signed to Rough Trade Records, an independent London-based record label established in 1978. Nokia’s contribution to American music is incredibly vital due to her alternative outlook, brave lyrics, and outspoken presence. Brujas is a song on Nokia’s debut studio album titled 1992. Meaning “witches” in Spanish, Nokia explores how the word witch has been associated with black culture, Latinx culture and women. Thus, the question arises, “how does Princess Nokia use her song Brujas to explore the American identity through hip-hop?”
II. Theories and Methodology
In this essay, Princess Nokia’s Brujas and its music video will be analysed sonically, lyrically, and visually while keeping its cultural dimensions in the foreground. To culturally explore Princess Nokia’s Brujas in more depth, this essay will make use of a few theoretical approaches. Firstly, to analyse Nokia’s own feminist intent, I will use her interview with Alexis Petridis for The Guardian titled “Princess Nokia: ‘At my shows, girls can take up space the way men do’”. Secondly, to analyse the portrayal of POC women in hip-hop and mainstream music, I will use works such as I Got Something To Say by Matthew Oware, in his section titled “Bad Bitches?”, where he explores feminist approaches in hip-hop. Thirdly, to analyse lower-class, black identity, I will use “My City, My ‘Hood, My Street: Ghetto Spaces in American Hip-Hop Music” by Lidia Kniaź.
Nokia and her song largely relate to current developments in American music, especially with the uproar of female and black empowerment-based music that is becoming more mainstream. Radios often play and YouTube’s trending artists often include female rappers and hip-hop/R&B artists such as Beyoncé, Cardi B, Nicki Minaj, Missy Elliot, Kehlani, and SZA. Female hip-hop is becoming a part of the mainstream musical canon as of 2019, thus making it incredibly relevant to analyse.
Brujas currently has 6,337,486 views on YouTube and 6,499,656 streams on Spotify as of June 2019. Similar to many mainstream rap songs, such as DNA by Kendrick Lamar and APES**T by The Carters, Nokia uses a riff (consisting of four notes) and a syncopated beat that is repeated throughout the entire song. She creates distinctions between the verses by playing this riff in different octaves, but it is accompanied by a steady sampled beat that is also repeated. To make her voice occupy space in different ways throughout the song, Nokia uses filters and distortions to make it sound deeper, creating a masculine effect when she raps “I’m the supreme” and an other-worldly feel when she raps about “Orisha” (meaning Gods and Goddesses in the Yoruba language). Nokia makes a further reference to her African roots by featuring the African oral tradition in the brief Yoruba song that plays in the beginning of the music video.
Lyrically, Nokia uses a blend of classic rap diction and feminist language while featuring symbols from the various cultures she explores. For instance, Nokia begins the song with the lyrics “I’m the supreme” repeated three times. As many rappers do, Nokia establishes her dominance and power at the very beginning of the song. She goes on to rap lyrics such as “bad bitches,” “long weaves,” “long nails,” “cornrows,” and “baby fathers still in jail”. By listing stereotypical black female iconography while taking the position of the powerful masculine rapper, Nokia subverts the derogatory portrayal of women in rap music. Nokia’s choices are important and radical due to how women artists are treated in the hip-hop world and music industry in general. Fore example, in the interview with Alexis Petridis, Nokia talks of how she is featured in hip-hop blogs. She says “the commentary is really negative [...] because [she speaks] highly of [herself], people think [she’s] really pompous, or that [she’s] really narcissistic. But [she’s only speaking on [herself and her accomplishments], and [she] only speaks like that because no one else is doing it.” This is a huge double-standard when considering how most male rappers approach their lyrics from self-confident or even cocky perspective. By supporting herself and uplifting other black women who identify with her descriptive lyrics, she “[deploys] black male hegemonic rape tropes—violence and bragging—but simultaneously carve out space for their needs, wants, and desires as women.” (Oware 116).
Nokia’s exploration of the black identity also features famed diction. She repeats the same verse four times as she raps “we is them ghetto bitches.” The use of the words “ghetto” is easily recognizable due to how iconic it is amongst rap and hip-hop listeners throughout generations. “Being focused on the ghetto life with all its dangers seems to be an inherent part of the state of mind of all black New Yorkers.” (Kniaz 121) Furthermore, she uses colloquial language and grammar typical of rap music such as “we is them” to position herself within the genre. Through her lyrics, Nokia uplifts herself and other women whilst still staying true to her roots and her upbringing in the Bronx, amongst other Latinx and black people who used the same language in lower-class areas.
In addition, in her lyrics “North, East, West South shit,” she demonstrates her comfort in identifying with various ethnic groups and communities. Nokia mixes the West Coast “smoother, more laid-back style of rapping” (Starr 501) with the “old school” and “edgy” delivery of New York hip-hop (Starr 501). However, the addition of her Yoruban tradition and ancestry mixed with the calling out of her different ethnic backgrounds in lyrics such as “Black a-Rican,” Africa diaspora,” “Cuba,” “Arawak, that original people,” “Black Native American,” “from an island and it’s called Puerto Rico” shows the dimensions of American identities. Therefore, Nokia shows how complex she is and how she can not be pegged to one identity, category or stereotype. Finding fame in a worldwide audience through the internet, Nokia represents a new generation of rappers that goes beyond the East and West coast of rivalry and styles.
Moreover, Nokia’s exploration of witchcraft, as alluded by the title of the song, is dominant in lyrics such as “sage on the door”, “speaking in tongue,” “shapeshiftin’ bitch,” and “witchcraft.” However, Nokia highlights how she only associates herself with white magic, contrary to the streoetype created by postcolonial and sexist stories surrounding black witch figures such as Tituba that villainize black magic and voodoo. Instead, Nokia uses words such as “good witches,” “light magic,” “cast a circle in white,” “vanquish your spite,” “conjure the light,” “I ain’t no queen of the night” and “Imma’ dress in all white.” This is also evident in the beginning of the music video, which features a visual of Yemoja (Figure 1), a water deity associated with the moon who is “the patroness of motherhood, childbirth, the womb, giver of life and all things relating to femininity.” (Bennett) Nokia references to deity to show that her power is pure and Godly, and that it is entirely connected to her identity as a woman.
The visuals continue to represent many dimensions of femininity as Nokia shows different black women praying, playing, and loving each other (Figure 3). Nokia also highlights how the women embrace not only the nature around them, but also their own natural attributes as they wear their hair in their natural texture - something quite revolutionary as many female rappers and black female artists often wear their hair in Westernized styles. Natural beauty is further shown in shots of an elderly black woman dancing with a snake and a young girl laughing. Therefore, Nokia uses themes that surround purity, anti-hate, and kindness to uplift women, girlhood, sisterhood, female energy and witches while representing women of various ages and in their natural form.
Nokia ends the song with the repetition of the lyrics “I’m the supreme” and a sample from American Horror Story: Coven (2011), an American television show created by Ryan Murphy that is famous for its feminist iconography. The show centers around the descendants “from the survivors of the witch trials in Salem, Massachusetts in 1962” (Lonergan) as they compete for the title of Supreme Witch. One of the characters in particular, Queenie, is a descendant of Tituba and the end of the song ends with a sample about the witch.
“Tituba! Voodoo slave girl who graced us with her black magic/ You made her a slave/
Before that she came from a great tribe, the Arawak/ She gave it to your girls of
Salem/ A gift repaid with betrayal/ Maybe you ain't heard the news about civilization
starting in Africa/ We more than just pins in dolls and seeing the future in chicken
parts/ Been reading too many tourist guides, hm/ Everything you got, you got from us”
The sampled excerpt intersects the witch identity with the black, postcolonial identity. The excerpt references Africans as the original people and rewrites Tituba from a passive slave to a powerful witch with agency who indulged in vengeance - a trait that is rarely attributed as lady-like or feminine. Furthermore, Nokia seems to make a reference to the gang of four women from American Horror Story through the group of four women she is a part of. Together, they lean against a wall with bored, empty stares as they mouth “don’t you fuck with my energy” while Nokia takes center stage and raps the lyrics. Later in the music video, they all join to point the middle finger at the camera, and subsequently, the audience. Their behaviour is actually very typical for “the transgressive, rebellious sensibility of the genre” (Starr 495). Therefore, Nokia combines the rebellion of hip-hop with the rebellion of feminists who defy the standards and roles set upon them by society.
Princess Nokia uses her song Brujas to redefine the American identity by giving power to underrepresented and non-”mainstream” voices. The fame of Brujas and Princess Nokia herself is largely attributed to a relatively new development in popular music. Popular music no longer lays only in the hands of large record companies, television and radio stations, or DJs. Through the internet’s democracy of influence and reach, artists such as Princess Nokia are able to achieve an audience that goes beyond the mainstream, or even American, sphere. Yet, the American identity in itself is very much complex as it is rooted in the genocide of Native Americans and built upon the backs of African slaves. Americans, especially Americans of colour, seldom have a distinct, homogenous identity as many people are descendants of different ethnicities and cultures. Nokia embodies this in her song Brujas as she almagalmates and represents her various views and beliefs as a black, Native American, Latinx woman.
Bennett, Humphrey. “Moon Goddess Yemoja.” Liberty Voice, 13 April 2014.
Criminal Justice Fact Sheet. NAACP.
Kniaź, Lidia. “My City, My ‘Hood, My Street: Ghetto Spaces in American Hip-Hop Music.”
UMCS UP, February 2017.
Lamar, Kendrick. “DNA.” Youtube, directed by NABIL and The Little Homies, 18 April
Lonergan, Meg. “Witches, Bitches and White Feminism: A Critical Analysis of American
Horror Story: Coven.” Carleton UP, 2017.
Nokia, Princess. “Brujas.” Youtube, directed by Asli Baykal, 7 November 2016
Oware, Matthew. I Got Something To Say. “Bad Bitches?” DePauw UP, 2018.
Petridis, Alexis. “Princess Nokia: ‘At my shows, girls can take up space the way men do’.”
The Guardian, 8 September 2018.
Starr, Larry and Christopher Waterman. American Popular Music. 3rd ed, Oxford UP, 2010.
Swanson, Abbie Fentress. “The South Bronx: Where Hip-Hop Was Born.” New York Public Radio, 2 August 2010.
The Carters. “APESH**T.” YouTube, directed by Ricky Saiz, 18 June 2018.
I am here to share my wisdom with all of you, namely my ability to like everything so much that I have to get it out on a platform before it drives me to madness. I am honestly too excited to write much so let's just get started, shall we?
Street Food - Since watching the trailer, I knew I wanted to have a look at this new Netflix series, especially since they had an episode dedicated to Yogyakarta. To be real, I was procrastinating while doing an essay so instead of watching from the very beginning, I opted to just go ahead and watch the Jogja episode. As it turns out, none of them are connected. Man, let's start off with; she's a beaut. My father's a big fan of watching street food shows on TV and we used to always make fun of the Westerners who come to Asia and try to describe our food with their odd and seemingly unfitting Western descriptions. Also, watching them eat sambel is a darkly funny thing.
Street Food, however, does not follow that format. Instead, we learn about the food through the eyes of the local. The Jogja episode follows Mbah Sentinem, a 100 year old grandmother who makes jajanan pasar (market snacks). But more than that, this episode is a love story between Mbah Sentinem, her mother, the family she provides for, and her food. After watching it, it left a gnawing feeling of adoration for my culture at the depth of my stomach and it definitely made me cry. The food, the process, and all the actors in what makes food in Jogja delicious were wonderfully shot without that Orientalist, othering view that many "street food" shows have on TV.
On top of that, there is a huge stigma around being an active elderly in the Javanese culture, I've noticed. Once you reach a certain age, society tends to fuss over you and tell you to stay home, watch over the kids and take it easy. To watch Mbah Sentinem and all her vigor, all her love for life and hilarious humor made me so happy. It made me want to go back home and revisit all the places I went to as a child. I highly recommend.
Always Be My Maybe - What does it take to be featured on Sel's Menjelang Favorites? A tear-jerker, of course! Here's another one for the representation books that just gets it right: Ali Wong and Randall Park's new Netflix original film; Always Be My Maybe. Firstly, this movie is just downright funny. I love American humor but when they're a bit more on the mainstream, slapstick side, I tend to find it a bit too aggressive. I'm here for the subtle, more sarcastic and ironic humor of TV shows like Parks and Rec, Modern Family, etc. and this film really did it.
First of all, the soundtrack is great. I love me some 90s Hip Hop/R&B. Second of all, Ali Wong's acting style is just so good. There's something extra hilarious about watching her small frame waddle in all her gigantic heeled boots.
Second of all, this has got serious feminist undertones, y'all!!! And not in the roll-your-eyes-we-get-it kind of way. Wong's character, Sasha, is a female power house who is supportive of and supported by her queer best friend. There are so many "woke" jokes that made me actually laugh instead of nod as though I'm listening to a preacher. Sometimes it's just so fun to laugh and completely get it without having to get into it, you know?
On top of that, a lot of mainstream rom-coms that try to feature strong female leads often get it wrong. They always have to sacrifice something, always have to dim their ambition. I always have a lot of hope riding on that final decision (usually it's the Work vs. Boyfriend/Fame vs. Boyfriend trope). And for a second those whack films had me guessing. I was like: wow, what is Sasha going to choose? Maybe she is selfish and a workaholic! Plot twist: she ain't. There was absolutely nothing wrong with her ambition all along! And loved ones who don't support what you want to do (and they, of course, must be good for you) are weak! End of story.
Oh, also, can we mention but not talk about Keanu Reeves? I read in an interview that Keanu Reeves basically helped develop the Keanu Reeves character. What a wild time that was. As a person who watched John Wick 3, I advise Keanu Reeves to quit martial arts and do comedy full time. Man.
Tuca and Bertie - Alright, since I wrote mini heartfelt essays for the other ones, I'll keep this one short and sweet. Tuca and Bertie stars two comedic geniuses: Ali Wong (she is killing it this month!) and Tiffany Haddish - with the addition of the beautiful Steven Yeun, Awkwafina, and Nicole Byer (also Tessa Thompson, Laverne Cox, and many more amazing people in Hollywood). The show is such a gorgeous thing conceptually (they live in an animal version of New York) and visually, it's a cross between Adventure Time and BoJack Horseman. It has 100% on Rotten Tomatoes for good reason.
The show explores sexual harassment, female friendships, addiction, confidence, anxiety, family, female ambition, female anatomy, and other general adulting things in the most absurdist way possible. I love it. It's hilarious. Also that scene where Bertie has a mental breakdown in the grocery store is exactly what I experience every single time I go grocery shopping.
Booksmart - This film is It. It's Olivia Wilde's directorial debut and the cast is filled with beautiful people who wanted a chick flick about a female friendship that smashed the patriarchy. It is so incredibly funny, and still in that typical american way. At the same time, there's so much Gen Z humor that make it feel super fresh and like something we've never seen on screen before. It's honestly just hilarious and so well done. I felt like I was watching some of the people I, myself, know - but on a screen. The cast are also so sweet, I've been obsessed with watching their interviews. Also Oliva Wilde is kind of a directing genius? Ok cool.
YouTube - Bon Appétit has got it made, baby! Last summer, I was obsessed with watching their It's Alive show that stars who's-better-than-us-vinny Brad Leone and anything that Claire Saffitz does because of her super Virgo precision. I've opened my eyes since then, and have dabbled in the world of Chris, Carla, Andy, and Molly. Priya is growing on me. It's just such a great cooking channel that makes me want to cook and also doesn't make me fear cooking (which is a hard thing to do when you've got someone like me as an audience member). I still truly love It's Alive and would recommend it to those who are new to the BA Test Kitchen.
Aute Cuture by Rosalía - Thank God for Rosalía, huh? If you haven't listened to her El Mal Querer album, I recommend you start there. But Aute Cuture is such a summer bop and has big early Beyoncé vibes that I can't explain. It makes me want to smile fiercely as though I'm in a music video and go for a run at the same time. Also, she makes me genuinely want to learn Spanish just so I can sing along. I love that pop artists are moving back towards the deep, more meaningful lyrical tunes and I have to say Rosalía is at the front lines.
Heroine by Col3trane - Col3trane released an albuuuum. How blessed are we this summer, y'all? So blessed. Too blessed. He just has such a distinct voice and all of his beats are always so good - yet so different. His entire Tsarina album was genius and I have to say Heroine is a great follow up. My favorite track from the record right now is The Fruits (I mean, a collab with RAYE? Come on.)
Sucker Punch by Sigrid - Now that we've established that Rosalía is the Spanish pop princess, let's establish that Sigrid is the Norwegian pop bad ass. I love girl power and Sigrid packs a massive punch (aha! Get it?) She is so talented and after watching a live video of her performing Strangers, I realized just how powerful her voice is - which you wouldn't otherwise guess considering how soft and melodic (and almost yodel-y her voice is on her tracks). Her music makes me feel like I'm Robyn in a neo-neon-horror film about a teen pop star. My favorites from the record are Don't Kill My Vibe, Strangers, and Sucker Punch.
I've been reading a lot. Like, a lot a lot. But that's just because I'm taking an American Literature class so I thought I'd share my top 3 favs with you:
My new Extra necklace - This thing does so much. So so so much. It is so Leo and so Extra and I paid 6 whoopin' Euros for it due to a bargaining done right while I was on my Madrid trip!
Golden Gal - Another one from the Madrid-ian books. Wearing light tank tops during backpacking trips is such a breeze and I've been in love with that golden ribbon scrunchy whenever the sun's out.
Allen kleuren van de regenboog - Yes to a K3 reference and yes to showing some queer love! #HappyPride, to you all!
I didn't buy this (but I should have) - I found this faux fur coat in Madrid and I can't believe I let it stay there. It is everything I've ever wanted; it's Aunt Selena in a coat.
Lestari, Arnhem - One of my Oma's friends owns the restaurant and it is amazing. There are some good Indonesian restaurants but this one actually tastes like Indonesian food made by an Indonesian person. Every time I eat there, I always try something new and each dish is so good! I highly recommend the Mpek-Mpek, Soto Ayam, Soto Betawi, Kare Ikan.
Amazing Oriental, Dukenburg, Nijmegen - Okay, so let's take a moment of silence for the fact that most Asian stores in the Netherlands are called Tokos (Indonesian for "store") and Oriental. Heavy stuff. Anyway, I do recommend their Pisang Goreng and their bubble tea actually tastes like what bubble tea should taste like. It tastes like Chatime, y'all.
For an explanation of what menjelang means, check out my first Menjelang Favorites post from last month. For the break down of everything I've been into the past month-ish, look no further. I don't know what it is but I feel like I go through music phases. In the winter time, I'm really in to indie and alt music. In the summer time, especially nearing my birthday (August 12th, hit your Leo girl up!!!), I get really in to hip-hop and R&B hype music. It's like my inner Insta Baddie shines through as it gets closer to my birthday. Not really, I think it's just my inner extra Leo shining through.
Enough about my zodiac sign. Here are some really cool things you should check out because I like them. Hope you find something new. Or at least just something to distract yourself with so you can forget the fact that we're all slaves to capitalism and social constructs for a while. Cool.
Marcel The Shell with Shoes On - Created by Jenny Slate and her (ex?) husband, Dean Fleischer-Camp, Marcel The Shell with Shoes On is a web series + kid's story book (I think). Marcel is a tiny shell and he goes around the house he lives, showing an unseen interviewer his life. It's adorable, it's incredibly witty, and oddly calming. It's so Pure.
The Incredible Jessica James (2017) - Got Netflix? Stream it. Don't got Netflix? Putlocker it. Jessica James is an incredible role model and I am constantly telling myself to emulate her. She's honest and she's beautiful and she's struggling in the way everyone struggles and she's an awesome writer so get with it.
Your Name (2016) - To be honest, I'm not the biggest fan of Japanese movies/TV shows. I've tried, but I Just Don't Get It. Plus, cis women are so hyper sexualized in Japanese culture that the characters in animation always sound super breathy and it's just weird and it makes me uncomfortable. But, if you can get passed that and you're looking for something beautifully illustrated and a crazy plot that makes you go ?!?!?!?!?! then Your Name is perfect. It's about love and space and time and it's kind of nuts but I like it, and the cheesiness of the love story.
Her (2013)- This movie was great and weird and intriguing and beautiful. Love is such a wild human concept in itself so to pair that up with technology is like double thinking for me and I love thinking about societal concepts and the protagonists challenges just that. Coolio. I cried, if that makes it any more convincing.
Health documentaries on food (What The Health + That Sugar Film.) - These documentaries were so eye-opening. The food industry has been a hot topic on my mind for the last month because it's crazy. Yet another thing that the government has manipulated in the name of capitalism and we as members of the market are so blind that we sit there like zombies while we are literally trashing our bodies. To make matters worst, consumerism has been ingrained so deeply into our culture that it's unnatural to go vegan or to cut out refined sugar. Even the products that are marketed to be healthy/low fat/sugar-free are damaging!! Not to mention the ecological impact the food industry has. We really need to get educated on this and real fast too so we can stop romanticizing the foods that are essentially hurting us.
Youtube Videos -
Viners truly do suck but Enya is hilarious and her little rant is so entertaining, especially since everything she spews out is the literal truth.
Just watch it. You'll get it.
PRETTYMUCH - (Gossip Girl voice) New Boyband Alert! Word on the street Simon Cowell's got a new group of talented boys to fill the void One Direction left. Okay, back to Sel voice now. Not to be dramatic but I'm in love. Kidding. Not really. They've got major talent and they dance. With hip hop and R&B influences, It Boy hypeskater styles, and the fact that they're 3/5 POC will probably take them to the top. Also the fact that I can't seem to choose a fav to stan is really concerning. Anyways, their new single called Would You Mind is a consensual bop!
Billie Eilish - This girl. Hoooooooo my god, where do I even start?? I love teenage girls who make music with simple lyrics, deep themes, and dark undertones. Eilish talks about self-love (or lack thereof) in idontwanttobeyouanymore, romantic love (and lack thereof) in Party Favor, murdering her friends and her lover (which is probably a metaphor for violently cutting them out of her life) in Bellyache. She recently released her EP, Dont Smile at Me, and it's a freaking masterpiece. Listen to it. I love her.
MY PLAYLIST VIDEO!!! IS LIT!!! WATCH & LISTEN TO IT!!! -
Meet Me in The Cosmos by Jack Cheng - It's middle-grade Lit and I've only gotten a few pages in but it's already made me actually giggle out loud more than the other stuff I read. Told in transcripts of voice recordings eleven year old Alex makes, Cheng explores life on Earth through his protagonist who is very passionate about outer space and rockets.
The Hate U Give by Angie Thomas - Inspired by the Black Lives Matter movement, Thomas explores the current racial climate in America. Starr, the protagonist, witnesses the shooting of her childhood best friend (done by a cop). Thomas also explores the two worlds Starr has to manoeuvre between as she goes to a fancy prep school but lives in a poor neighbourhood.
Spiderman: Homecoming fanfiction - Don't shame fanfiction. It's just as much art as mainstream literature. My favorite's Leyla's (spidereyhes on Tumblr) Skyline. There's so much on Tumblr and Archives of Our Own. My favorite AU is Stark!Reader x Peter Parker for obvious reasons.
Solid colors - I'm always in black. Always. I wore what I used to think was the ugliest greenest shirt I own. I ended up liking it. A mission of mine is to now be more in to colors. (Also I think I'm just succumbing to the current It Alt Artsy Skater Girl trend).
Fishnet socks - The fishnet tights trend is cute and all but let's be real here, sitting on a chair and having your butt press up against netting the whole day isn't cute. The socks are an easier alternative. They're not uncomfortable but still present themselves just to add a little edgy pizzazz. Yes, I just said the word pizzazz. Well, typed.
Cauliflower rice - My parents have been doing the Keto diet so they've been trying to find rice substitutes. My mom ended up making this cauliflower rice and it turned out sooooo good. It's a vegan substitute, too! Here's the recipe she used since I love you and I want to include you in this cool meal.
Vegan Cookie Dough - Cookie dough is amazing. Vegan cookie dough is even more amazing. If you live in the Jakarta/Tangerang area, @kookie.do is on Instagram and they've got the best vegan cookie dough that you definitely need to try out.
Menjelang is an Indonesian word with a few English translations, including 'approaching', 'towards', and 'near'. It gives a sense of almost, with an underlying promise that it will be. I always scribble my favorites down on random scraps of papers and notebooks midway through the end and the beginning of two different months. Most of the time my favorites are things that are still very new to my life (songs with lyrics I still need to memorize, books I still need to finish), but that's because discovering excites me. It is my favorite thing. This combined with the fact that I think I am utterly uninteresting, these lists are usually disregarded quickly. But I'm learning how to have enough confidence to share.